HH Karmapa closing speech after cultural performances - English - Part 3 of 3

Cultural Performance by SUJA and Rumtek Opera Company - English - Part 2 of 3

His Holiness the 17th Gyalwang Karmapa commissioned dance from the SUJA and the Rumtek Opera Company, reviving the tradition carried on by the 16th Karmapa

Life Story of Karma Pakshi - 2nd Karmapa - English - Part 1 of 3

Written by the Gyalwang Karmapa in a contemporary idiom, the drama focuses on three events: the arrival of Orgyenpa (1230-1312), who would hold the Karma Pakshi's lineage; the meeting of these two great lamas; and finally, Orgyenpa's meeting and recognizing the Third Karmapa, Rangjung Dorje (1284-1339). Performed during the 29th Kagyu Monlam Chenmo on March 3rd, 2012

Karma Pakshi and a Jataka tale : A play with dance and a Tibetan opera - English Language Only

Written by the Gyalwang Karmapa in a contemporary idiom, the drama focuses on three events: the arrival of Orgyenpa (1230-1312), who would hold the Karma Pakshi's lineage; the meeting of these two great lamas; and finally, Orgyenpa's meeting and recognizing the Third Karmapa, Rangjung Dorje (1284-1339). Performed during the 29th Kagyu Monlam Chenmo on March 3rd, 2012

HH Karmapa closing speech after cultural performances - Tibetan - Part 3 of 3

Cultural Performance by SUJA and Rumtek Opera Company - Tibetan - Part 2 of 3

His Holiness the 17th Gyalwang Karmapa commissioned dance from the SUJA and the Rumtek Opera Company, reviving the tradition carried on by the 16th Karmapa

Life Story of Karma Pakshi - 2nd Karmapa - Tibetan - Part 1 of 3

Written by the Gyalwang Karmapa in a contemporary idiom, the drama focuses on three events: the arrival of Orgyenpa (1230-1312), who would hold the Karma Pakshi's lineage; the meeting of these two great lamas; and finally, Orgyenpa's meeting and recognizing the Third Karmapa, Rangjung Dorje (1284-1339). Performed during the 29th Kagyu Monlam Chenmo on March 3rd, 2012

Karma Pakshi and a Jataka tale : A play with dance and a Tibetan opera - Tibetan Language Only

Written by the Gyalwang Karmapa in a contemporary idiom, the drama focuses on three events: the arrival of Orgyenpa (1230-1312), who would hold the Karma Pakshi's lineage; the meeting of these two great lamas; and finally, Orgyenpa's meeting and recognizing the Third Karmapa, Rangjung Dorje (1284-1339). Performed during the 29th Kagyu Monlam Chenmo on March 3rd, 2012

Cultural Performance by SUJA and Rumtek Opera Company - Chinese - Part 2 of 3

His Holiness the 17th Gyalwang Karmapa commissioned dance from the SUJA and the Rumtek Opera Company, reviving the tradition carried on by the 16th Karmapa

HH Karmapa closing speech after cultural performances - Chinese - Part 3 of 3

Life Story of Karma Pakshi - 2nd Karmapa - Chinese - Part 1 of 3

Written by the Gyalwang Karmapa in a contemporary idiom, the drama focuses on three events: the arrival of Orgyenpa (1230-1312), who would hold the Karma Pakshi's lineage; the meeting of these two great lamas; and finally, Orgyenpa's meeting and recognizing the Third Karmapa, Rangjung Dorje (1284-1339). Performed during the 29th Kagyu Monlam Chenmo on March 3rd, 2012

Karma Pakshi and a Jataka tale : A play with dance and a Tibetan opera - Chinese Language Only

Written by the Gyalwang Karmapa in a contemporary idiom, the drama focuses on three events: the arrival of Orgyenpa (1230-1312), who would hold the Karma Pakshi's lineage; the meeting of these two great lamas; and finally, Orgyenpa's meeting and recognizing the Third Karmapa, Rangjung Dorje (1284-1339). Performed during the 29th Kagyu Monlam Chenmo on March 3rd, 2012